Forteza Fitness

Victorian Martial Arts: Bartitsu Relaunches May 25th!!!!

IMG_6691

The Lost Martial Art of Sherlock Holmes is BACK! 

Bartitsu and the old Bartitsu Club were key components as we were designing the Forteza studio. Designed as a way to introduce other martial artists to the unique “fusion” and “combat improvisation” of Barton-Wright, the one major request we had from students was a more structured way to introduce new comers to the fundamental boxing, kicking, throwing and stick-fighting skills upon which Bartitsu is based.

We listened, and after a year of fine-tuning, Bartitsu returns to Forteza on May 25th with a five hour workshop taught by renowned Victorian martial arts historian and Bartitsu Club of Chicago founder, Tony Wolf. A highly experienced martial arts instructor, Tony has taught Bartitsu intensives in England, Ireland, Italy, Australia, Canada and throughout the USA. Tony also edited the two volumes of the Bartitsu Compendium (2005 and 2008) and co-produced/directed the feature documentary Bartitsu: The Lost Martial Art of Sherlock Holmes (2010).

New “Introduction to Bartitsu” Course

But the relaunch does not end with the workshop.  Tony will be ably assisted by Forteza instructors Nathan Wisniewksi and Treyson Ptak, who will then be taking the lead with our newly designed Introduction to Bartitsu course. Beginning June 5th, 6-week class is designed to instill basic striking, kicking, cane-fighting, grappling and safety skills. Perfect for those new to martial arts as well as those who are not familiar with the particular art which comprise Bartitsu, this course is high-energy, skills-focused and designed to lay a foundation that students will bring to on-going training in the Bartitsu Club of Chicago. The club meets twice a month for advanced training and “combat integration” – the unique blending of its component arts that makes Bartitsu an unique fighting art in its own right.

A Whole New World of Victorian Martial Arts

But Bartitsu is just one aspect of Forteza’s new Victorian Martial Arts program, which includes a wide-range of antagonistics, the study of fencing, boxing, wrestling and stick-fighting  typically combined with physical culture (calisthenics, gymnastics and weight-training) that was popular in Britain and America in the late 19th century. Forteza’s Antagonistics courses include:

  • Sabre and Bayonet Fencing;
  • Stick Fighting;
  • Bowie Knife and Tomahawk combat (most distinctly American weapons);
  • Physical Culture; a truly “old school” workout regimen of calisthenics, Indian clubs, and more!

As we have done previously with our wildly popular Bowie and ‘hawk seminars, Antagonistics will be taught in a series of workshops and short courses, allowing students with limited time and busy schedules to get chance to sample the breadth of 19th century martial culture.

How Can YOU Get Involved?

Whether you’ve trained us before or are brand new to any martial arts, there are many ways to jump in to the relaunch of our Victorian Martial Arts program, and the sooner you get involved, the more affordable it is!

Bartitsu Seminar Date, Sunday May 25th from 12-5pm
$60, $75 at the door

Introduction to Bartitsu Course, Starts on Thursday June 5th from 7-9pm:
Length – 6 weeks
Cost – $125, discounted to $100 for seminar attendees!

Pre-register for both the seminar and introduction for $150, a $50 savings!

Continuing Classes: Bartitsu Club of Chicago Starts on Friday July 11th from 7-8pm:

Classes are on the second and fourth Friday of each month

Cost: $50/month and includes on-going access to the Introduction class, providing 10 hours of training a month!
Antagonistics Courses
One day workshops and short courses are held throughout the year and registered for separately.
As you can see, if you are called to by the rough-and-tumble and gentleman duelist side of the Victorian-era calls to you, there are multiple ways to get involved and start training today!
Read More »

The Founders’ Ball, a Retrospective

Rolling out the red carpet...

Rolling out the red carpet…

The music has gone quiet, the lights have dimmed, and the Founders’ Ball is over. As Edwardian-martial arts researcher, gymuseum curator, and bartitsu instructor Tony Wolf explained to Saturday night’s attendees, Forteza was inspired as a fusion of two, bygone institutions: the antiquarian arms and armour society of the Kernoozer’s Club and perhaps the first fitness-martial arts gymnasium, the Bartitsu Club, which between them had also led the first attempts to reconstruct the forgotten martial arts of Renaissance Europe. So, for one night a window to another time opened, and the studio filled with finely-dressed ladies, escorted by gentlemen of quality (although it is said a rapscallion or two were spotted, as well!) as we celebrated our one year anniversary.

The ribbon cutting for the Capt. Alfred Hutton Lounge

The ribbon cutting for the Capt. Alfred Hutton Lounge

The Founders’ Ball was the celebration and culmination of many different dreams, efforts, occasional misadventures and hard work. It is also our hope that it was the inauguration of a new era at the studio and many new adventures to come. At the center of the event was the opening of the “Captain Alfred Hutton Lounge”. Hutton (1839 – 1910) was a military man, amateur historian, author and renowned swordsman who helped pioneer the “rebirth” of “ancient swordplay” both in the fencing salle and on the stage, and so is a man without whom Forteza would never have been born. Our hope is that the Hutton Lounge will become a fitting tribute to Hutton and his fellow Kernoozers – a place where fellowship, scholarship and good humor will bring to together the many sub-communities of the Forteza family. (If you don’t know about Hutton and his history, you really owe it to yourself to read his Wikipedia entry. )

The Lounge is not quite done – a new ceiling is in the offing and there are more appointments and furniture to come – but we think that those who were at the ribbon-cutting this weekend got a feel for what it will be in its full flower.

A well-dressed lady mingles with a riverboat gambler and his sultry, carnival doxy...

A well-dressed lady mingles with a riverboat gambler and his sultry, carnival doxy…

Although we woke up exhausted Sunday morning, it was clear that the Ball was an unqualified success. Many, many times over the evening, we were told “you guys throw a great party”, and while that is appreciated, it must be clear that the “we” was far more than Keith and Greg, who in the end just OK’d ideas and cut checks. The heart and mind of the Founders Ball (aka as “the Hand”) was Dawn Marcotte, who brought her immense organization skills, energy, cleverness and ability to be simultaneously classy and quirky to create a wonderful event that helped match our Donald Trump ambitions to our Donald Duck budget. Dawn put together an amazing team of ladies, including Rebecca Smith-Cruz, Erin Fitzgerald and Heather Hilchey, who lent their talents to create beautiful invitations, table decorations, gnome hats (you had to be there) and other little attentions to detail that exceeded all of our expectations. As the day drew near, Dawn was also ably assisted by the “Hand of the Hand”, Patricia Murman, who helped coordinate logistics, organize staff and make sure that the construction was done and the space ready to go as the ball drew near. This team of ladies proved that Forteza is blessed with a crew of train hard, fight hard women, but creative, stylish and “get things done” ones as well!

The Mistress of the Ball, sporting her badge as "Hand of the Dean".

The Mistress of the Ball, sporting her badge as “Hand of the Dean”.

Our construction foreman and “man-of-a-thousand-tasks” Treyson Ptak once again spent a little life-blood and a good chunk of his soul getting the lounge floored, painted and ready to go, assisted by Jesse Kulla. Husband-of-the-Hand Jacques Marcotte and Jonathon Cruz served the all-important task of bartenders and “ministers of merriment”, and kept spirits high, just in time for the evening’s entertainment. We had promised “an exhibition of swordplay”, and no doubt, considering what we do at Forteza, folks were anticipating yet another martial arts demo. But since the studio is blessed with a cadre of actors, fight directors and stunt folks, we thought it might be more fun to honor Capt. Hutton with a little theatre, in this case a small vignette called “The Cliffs of Insanity, Or: The Princess Bride, Reduced to One Really Good Scene with Lots of Action, and None of that Kissing Stuff.” Libby Beyreis stepped in to direct and Trey Ptak (Man in Black), Victor Bayona (Inigo Montoya), Joe Rutugliano (Vizzini), John O’Meara (the Grandfather) and Dave Carlin (the Kid) took on their roles with great gusto, and some delightful improvisational flourishes that delighted our guests.

Don't know who that man in black was? Get used to disappointment!

Don’t know who that man in black was? Get used to disappointment!

It was a magical night, and it was a shame to see it end – though had it lasted much longer, the crew would probably have fallen asleep standing up. But it was all of you who have come to class, turned up to train, run races, attended seminars, or just talked about Forteza on Facebook and with friends who made it possible. Truth be told, you can only plan so far how to launch a venture like this and build it into a sustainable dream – it’s working because of the passion, trust and enthusiasm you bring every time you step through the studio’s door. It has been our honor to build this home with your help.

Forteza Mascot Baby Rose does her best gnome impression. Rosie pronounced the ball a great success!

Forteza Mascot Baby Rose does her best gnome impression. Rosie pronounced the ball a great success!

Read More »

2012: The Year in Martial Arts

From the clash of swords to a unique program for personal protection and self-defense, Forteza’s martial arts programs are not quite like anything else you’ll find in Chicago. Some of our programs have a long history in the city that precedes the studio’s opening by over a decade, while we are pleased to have given others their start.

HISTORICAL SWORDSMANSHIP: THE CHICAGO SWORDPLAY GUILD

IMG_6620

Martial arts training at Forteza began with the Chicago Swordplay Guild, the city’s only dedicated school for the study of medieval and Renaissance martial arts. In 2012 our new digs allowed us to greatly expand our class offerings in both Armizare (medieval martial arts) and Renaissance Swordsmanship.

Our Introductory, or “Taster”, classes were offered in two separate tracks, a 12-week session on Saturday mornings and a 6-week, twice-weekly session on Monday and Wednesday evenings; both tracks attracted a steady number of new swordplay students. Once the basics were learned, CSG members had a choice of two Novice/Foundation classes per week, firming up basic theory and technique.

Armizare saw a significant spike in new students from a wide variety of backgrounds, age groups, and interests that drew them to the sword.  The influx of new students meant that our Foundations classes have routinely been full and quite lively, as students take the basic lessons of stance, movement, body mechanics and simple attacks and defenses and learn to refine their skills and expand their application. Our expanded schedule also allowed us to introduce a dedicated Abrazare  (close quarter combat) class where students learned basic grappling safety skills, body mechanics, guards, fundamental throws and joint locks, and the nine “Masters” of dagger combat: nine core concepts related to line of attack and type of cover (one or two-handed) upon which the entire, extensive curriculum of nearly 80 formal techniques, and countless variations, can be organized.

Focus classes were organized in bi-or-tri monthly themes, and included “Using Provocations to Break Distance”, “Advanced Use of the Twelve Poste”, “Using Complex Attacks”, “Mechanics of Breaking and Exchanging Thrusts”, and “Extrapolation and Improvisation”. In the dedicated Scholar’s class, students were introduced to two new weapons, the arming (one-handed) sword, and the spear. A number of students successfully completed their basic proficiency exams in the arming sword, and several more will be testing in the spear this February, two necessary steps on the path to the Free Scholar rank.

In the Renaissance Swordsmanship track, our weekly “Focus’” class on specific topics, open to all levels, proved to be most popular; topics covered this year included “Building an Aggressive Defense Using the Guards”, “Cuts and Their Counters”, and “Pressing the Attack”.

With a dedicated 90-minute class of their own on Saturday afternoon, advanced students spent the year focusing on advanced tactics in single rapier, including feints and invitations, and exploring Salvatore Fabris’ variations on his basic guards.

On Monday nights we instituted a Bolognese Swordsmanship Study Group. Open to Scholars of either curriculum, Bolognese fencing is the bridge between the late medieval style and the elegant rapier of the 17th century. A vast curriculum containing virtually every weapon of the 16th c arsenal, although Greg has been researching the material for years, this program is in its early stages of being taught as a formal curriculum. Training focused on fencing with the sword alone; looking at not only the basic actions of attack, defense and movement, but the unique pedagogical training tool of the assalti – long solo forms that can then be applied as two-person exercises.

Finally, the highlight of the year for both sub-programs was the spring Prize Playing, featuring an impressive performance by Armizare Novice Erin Fitzgerald, and a commanding display of arms by rapier Novice Robert Rutherfoord and his graduation to Scholar level. Rob is now a rapier instructor-in-training.

THE BARTITSU CLUB OF CHICAGO

IMG_6691

The Bartitsu Club of Chicago is Chicago’s first and only martial arts club to focus on the Victorian-era cross-training system of Bartitsu.  The Club began in January 2012 with a successful  one-day introductory seminar that marked the first “public” use of the Forteza studio.  The seminar was followed by a twelve-lesson basic course over six weeks, culminating with an Antagonisticathlon; an event in which participants represent Victorian-era adventurers running a gauntlet of obstacles and surprise attacks by “ruffians“.

Graduates of the initial course voted to keep training and so Bartitsu joined the roster of regular weekly classes at Forteza, combining the “canonical” unarmed and cane fighting techniques recorded by E.W. Barton-Wright circa 1900 with “neo-Bartitsu” exercises, combat improvisation drills and progressive sparring.  Over the coming months we were prominently featured in several news media items including articles in New City Magazine and an article and video for the Chicago Tribune.  We held the second Antagonisticathlon during July and the second annual Bartitsu School of Arms event in September (see Special Workshops and Events below).

FORTEZA COMBATIVES METHOD

IMG_6625This past year also saw the launch of the Forteza Combatives program.  Forteza instructor and co-owner Keith Jennings is the only fully certified Martial Blade Concepts instructor in IL and the neighboring states.  For years Keith has conducted seminars in Chicago and around the Midwest,  but there has never been an official home for MBC training in Chicago.  The opening of Forteza has changed all that. In the first half of the year, Keith introduced a weekly MBC class, building a small, dedicated cadre of students. But by summer it became clear that students wanted a chance to train more, and to explore other ranges and components of personal protection. Thus was born Forteza Combatives!

The Forteza Combatives Method focusing on the empty hand and counter-knife tactics from MBC, as well as combining elements of bare knuckle boxing, Catch Wrestling/ground survival, and improvised weapons training, making it one of the most well rounded self defense classes in Chicago! The program has been an unqualified success, quickly growing into one of our best-attended martial arts classes – so much so that we’ll be adding training days and special events – including a workshop with MBC creator Mike Janich – in 2013.

SPECIAL WORKSHOPS AND EVENTS

Tired but happy students of the Bastone Fiorata. A school of incredible fluidity, elegance and power - we all fell in love with the Sicilian stick!

In August, Armizare students were given a look at the extensive collection of disarms, pommel strikes and throws that comprise  zogho stretto, or close play, with the sword. Zogho stretto is where the lessons of the sword merge with those of abrazare and dagger, and the entire system is pulled together.

In September, the Bartitsu Club hosted the second annual Bartitsu School of Arms and Physical Culture , a three-day conference and training event.  Highlights included a field trip to the historic Hegeler Carus Mansion in La Salle, IL (with a special guided tour of the mansion’s unique Victorian-era gymnasium) and a trip to see the play  Susan Swayne and the Bewildered Bride, which featured Bartitsu-inspired fight scenes.  Then followed two full days of training (including our third Antagonisticathlon) and socializing in the Victorian-themed side room of O’Shaughnessy’s Public House.  The event was a resounding success and now we look forward to a Bartitsu New Year.

A little later that month, the Chicago Swordplay Guild hosted Armizare Academy: A Celebration of the Knightly Arts. Originally held in 2010 to celebrate the six hundredth anniversary of the composition of the massive martial arts text The Flower of Battle (il Fior di Battaglia) by the art’s founder, Fiore dei Liberi, this event, affectionately called “The 600: Prepare for Fiore!”, was such a success with attendees, that we decided to make it a recurring workshop! Since “The 602″ seemed to be missing some flair, the event was been renamed Armizare Academy. This three day retreat featured six instructors from around North America and included both a tournament and a fully-armoured deed of arms!

Finally, in November the studio the privilege of hosting Roberto Laura for an immersion in the world of Italian stick and knife fighting arts. During Roberto’s five day visit, we studied three distinct tradtions. The first was La Scuola Cavalieri d`Umiltà or the Knights of Humility. This school derives from Manfredonia, Apulia (by tradition, from the 15th century). It is a highly elegant fighting system with the knife, shepherd’s staff and the razor. The second tradition was La Scuola Fiorata– The Flowery School, from Calatabiano, Sicily. The weapons taught within this traditional dueling art are the shepherd stick and the knife.  Fiorata is technically a modern school, yet in many ways it is a return to older sensibilities. The school comes from a very old – and still living – tradition called the Scuola Rutatu (Circling School), but after WWII some masters of the system were concerned with the loss of close-fighting techniques and a transition to fast, but smaller, less powerful actions and developed a new school that would counter Rutatu, producing a system which combines the elements of open and closed guards, dynamic assaults. Finally, Roberto introduced us to la Scuola Cielo e Meraviglia (the School of Heaven and Its Marvels) which also comes from Apulia, and is about two-hundred years old. This is a close-quarter fighting system which uses grips, joint locks, throws. As very old traditions these schools use a wide variety of daggers and folding knives, including cloak and dagger techniques and improvised weapons. Roberto made it clear that he is only a student of this tradition, and that he was introducing us to his current understanding of the system a passed to him by his teacher, Maestro Domenico Mancino.  It was an amazing workshop and Forteza will be introducing a stick and knife study group in the new year to continue to study and train in these priceless pieces of Italian culture!

2012: The Year in Physical Fitness

Read More »

Forteza, Year One: 2012 in Review

Happy New Year! Not only is it the start of a new year, but we are closing in on the end of our first year together! The concept for Forteza was born from three streams: Chicago Swordplay Guild founder and head instructor Gregory Mele was looking for a way to expand the Guild’s curriculum and training opportunities, and one of the Guild’s senior armizare students, Keith Jennings was looking to open his own personal training and combatives gym. When Tony Wolf offered to let the studio host his growing collection of 19th century exercise apparatus, a brilliant, if madcap idea was born….

To say that it has been a whirlwind of a year would be a gross-understatement. Since opening our doors, we’ve held seven rounds of introductory classes, an Open House, participated in the Ravenswood Art Walk, challenged our students with a Temple Burning work out, ran the Spartan Race, began work on our Clubhouse and introduced three new programs to the Chicagoland area: Bolognese fencing, Bartitsu and our unique Forteza Combatives Method.

[youtube http://www.youtube.com/watch?v=s9YmTwvK5Qs]

As the “new kids on the block”, we also garnered a fair bit of media coverage. In Crossing Swords: A Revival of Traditional European Martial ArtsNew City journalist Kristen Micek checked out the Chicago Swordplay Guild and then moved a few centuries forward to the 19th century when she covered us in Martial Arts, Victorian Style: Bartitsu at Forteza Fitness Brings Back the Lost Fighting Art of Sherlock HolmesThe Bartitsu Club garnered more attention in: Blast into the Pastand the Chicago Tribune article, Defensive actions: Reviving old-school fighting techniques to win a full-body workout. (You can also catch the accompanying video: Old-school-fitness-becomes-new-trend.)

Forteza’s unique Fighting Fit program was also a big hit with the media, being showcased in the Chicago RedEye: Survival of the Fittest – train like a “Hunger Games” tribute with these offbeat exercises. That cover story caught the attention of WGN’s Jonathon Brandmeier. Jesse Kulla explained FightingFit to Johnny B on this PodCast (starting at 6:50), and was later invited to demonstrate on his TV show.

But probably the best media look at what Forteza was all about came from this light-hearted feature on ABC 7′s 190 North!  

Of course, the media only presents an outside view at a particular moment in time. So as we continue to shake our heads in wonder that a year has passed, here is a 2012 year in review from those who were there…

2012: The Year in Martial Arts

2012: The Year in Physical Fitness

Read More »

Our First Open House a HUGE Success!

[youtube http://www.youtube.com/watch?v=s9YmTwvK5Qs]

On Sunday, March 4th from noon to 4:00pm, Forteza held a special Open House to showcase our swordfighting, physical fitness and Western martial arts classes. Over the course of the day, over 150 guests filed through the studio to check out our combination of demos and mini-lessons, including:

  • Armizare: the Martial Art of the Medieval Knight –  including the two-handed sword, spear and dagger
  • Renaissance Swordplay: the Art of the Duel –  including the rapier, rapier and dagger, and rapier and cloak
  • Bartitsu: The ‘Lost Martial Art’ of Sherlock Holmes –  a unique Edwardian blend of Eastern and Western fighting arts
  • Garimot Anis: Traditional Martial Arts of the Philippines – including fast-action self-defense techniques against a knife
  • Stunt Display – an exciting stunt display by Asylum Stunts

There was also be a hands-on table display of the weapons and armor we use for training.

The link above will take you to a short video impression of the Open House, featuring demonstrations by the Chicago Swordplay Guild, the Bartitsu Club of Chicago and the Asylum Stunt Team.

Our public debut also drew some media attention. Check out:

Martial Arts, Victorian Style: Bartitsu at Forteza Fitness Brings Back the Lost Fighting Art of Sherlock Holmes, by New City journalist Kristen Micek,

and  Blast into the Past from Action Quarterly.

Read More »

The Bartitsu School of Arms and Physical Culture: Chicago, 2012

The Bartitsu School of Arms and Physical Culture: Chicago, 2012

The 2012 Bartitsu School of Arms and Physical Culture will take place at Forteza between September 8-9.

Participants are invited to join a field trip and guided tour of the Hegeler Carus mansion and historic gymnasium in LaSalle, IL on the afternoon of Friday, September 7.  Saturday the 8th will include a full day of Bartitsu cross-training instruction followed by dinner, discussions and socialising, and Sunday the 9th will include a further day of training with fellow enthusiasts, finishing with a fun and challenging antagonisticathlon combat obstacle course event.

Please see the 2012 Bartitsu School of Arms web page for all details, registration, etc.

Read More »

Antagonisticathlon! (Or, “Saving Dr. Watson: A Gentleman’s Encounter with Dastardly Evil-Doers”)

[youtube http://www.youtube.com/watch?v=5s0bv6EoPVc]

On Sunday, March 11th of 2012, members of the Bartitsu Club of Chicago took part in the first ever “antagonisticathlon” event at Forteza. This was their graduation from the recent six-week introductory Bartitsu training course.

Obviously, with a diverse group of students, some with extensive martial arts training, some with none what-so-ever, there is a limit to what a “graduation exam” might entail after a mere twelve classes. Likewise, the Bartitsu revival has been decidedly non-hierarchical, emphasizing the continuation of Barton-Wright’s work over creating ranking systems and standardized curriculum. What to do?

Enter the Antagonisticathlon.

The what???

During the late 19th century, the word “antagonistics” meant all manner of combat sports and self-defence skills. Inspired by this, Bartitsu instructor Tony Wolf came up with an interesting way to test the novice Bartitsuka (students) while having a good deal of tongue-in-cheek fun at the same time!

Antagonisticathlon participants represent Victorian-era adventurers fighting their way through a gauntlet of obstacles and ne’er-do-wells, inspired by Sherlock Holmes’ escape from Professor Moriarty’s assassins in The Final Problem:

The dapper Michael Mauch, right, does not hestiate to sully his waist-coat as he hurls a ruffian to the ground during the Anatagonisticathlon. ((c)2012 Andrew A. Nelles/ For The Chicago Tribune)

The “stations” of the antagonisticathlon (not all shown in the video compilation) included:

  • Charging shoulder tackle to punching bag (“knocking an assassin out the window and into the Thames”)
  • Precision cane thrusts through suspended rings
  • Overcoat and cane vs. dagger-wielding assassin
  • Weight-lifting on antique pulley-weight apparatus
  • “Death Alley”; cane vs. three stick-wielding assassins
  • “Rowing across the Thames” on antique rowing machine
  • “Rescuing Dr. Watson”
  • Walking Cane vs. stick combat
  • Shoulder roll and hat toss to finish

Dressed in either traditional Edwardian work-out clothing (a fitted, sleeveless shirt and loose-fitting pants, such a yoga or gi pants), or in their Victorian best, the students readily got into the spirit of this martial obstacle course; testing themselves and their fledgling skills in Bartitsu, but first and foremost celebrating the esprit de corps of helping to make Barton-Wright’s “noble experiment” born anew.

“I say, Old Bean, perhaps this is more what you were envisioning?” ((c)2012 Andrew A. Nelles/ For The Chicago Tribune)

Read More »

Announcing the Bartitsu Club of Chicago – a key part of the Forteza Family!

Bartitsu Club of Chicago logo

Located in Chicago’s Ravenswood neighborhood, the Bartitsu Club of Chicago offers regular, progressive training in the “lost martial art of Sherlock Holmes”.

History

At the end of the Victorian era, E. W. Barton-Wright combined jiujitsu, kickboxing and stick fighting into the “New Art of Self Defence” known as Bartitsu. Promoted via exhibitions, magazine articles and challenge contests, Barton-Wright’s New Art was offered as a means by which ladies and gentlemen could beat street hooligans and ruffians at their own game.

Thus, the Bartitsu School of Arms and Physical Culture in London became the headquarters of a radical experiment in martial arts and fitness cross-training. It was also a place to see and be seen; famous actors and actresses, soldiers, athletes and aristocrats eagerly enrolled to learn the secrets of Bartitsu.

In early 1902, for reasons that remain a historical mystery, the London Bartitsu Club closed down. Barton-Wright’s art was almost forgotten thereafter, except for a single, cryptic reference in Sir Arthur Conan Doyle’s The Adventure of the Empty House, wherein it was revealed as the method by which Sherlock Holmes had defeated Professor Moriarty in their fatal battle at Reichenbach Falls.

Our premise and approach

Bartitsu was abandoned as a work-in-progress one hundred and ten years ago, but what if Barton-Wright’s School of Arms had continued to thrive? In collaboration with other Bartitsu clubs and study groups throughout the world, the Bartitsu Club of Chicago is proud to pick up where he left off, reviving and continuing the experiment into the new millennium.

E.W. Barton-Wright recorded the basics of his “New Art” via lectures, interviews and detailed articles, which form the nucleus of “canonical Bartitsu”. These methods are practiced as a form of living history preservation and also as a common technical and tactical “language” among modern practitioners.

“Neo-Bartitsu” complements and augments the canon towards an evolving, creative revival as a system of recreational martial arts cross-training with a 19th century “twist”.

Our venue

Forteza Fitness, Physical Culture and Martial Arts (4437 North Ravenswood Ave., Chicago, IL 60640) is the ideal venue for reviving Bartitsu. Directly inspired by Barton-Wright’s School of Arms, Forteza features a unique late-19th century theme; brick walls and a high timber ceiling enclosing 5000 square feet of training space, including a “gymuseum” of functional antique exercise apparatus.

Our classes

Bartitsu classes at Forteza run from 6.30-8.00 pm on Tuesday and Thursday evenings. The price for the six-week introductory course (two classes per week) is $125.00.

A typical class includes calisthenic warm-ups, specialized movement drills, study of the canonical sequences and neo-Bartitsu “combat improvisation” training. Participants should wear comfortable exercise clothing and bring a change of shoes for the class.

Contact info@fortezafitness.com to book your place in the first ongoing Bartitsu course in Chicago.

Our instructor

New Zealand citizen and Chicago resident Tony Wolf is one of the founders of the international Bartitsu Society. A highly experienced martial arts instructor, he has taught Bartitsu intensives in England, Ireland, Italy, Australia, Canada and throughout the USA. Tony also edited the two volumes of the Bartitsu Compendium (2005 and 2008) and co-produced/directed the feature documentary Bartitsu: The Lost Martial Art of Sherlock Holmes (2010).

Read More »