Forteza Fitness

Victorian Martial Arts: Bartitsu Relaunches May 25th!!!!

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The Lost Martial Art of Sherlock Holmes is BACK! 

Bartitsu and the old Bartitsu Club were key components as we were designing the Forteza studio. Designed as a way to introduce other martial artists to the unique “fusion” and “combat improvisation” of Barton-Wright, the one major request we had from students was a more structured way to introduce new comers to the fundamental boxing, kicking, throwing and stick-fighting skills upon which Bartitsu is based.

We listened, and after a year of fine-tuning, Bartitsu returns to Forteza on May 25th with a five hour workshop taught by renowned Victorian martial arts historian and Bartitsu Club of Chicago founder, Tony Wolf. A highly experienced martial arts instructor, Tony has taught Bartitsu intensives in England, Ireland, Italy, Australia, Canada and throughout the USA. Tony also edited the two volumes of the Bartitsu Compendium (2005 and 2008) and co-produced/directed the feature documentary Bartitsu: The Lost Martial Art of Sherlock Holmes (2010).

New “Introduction to Bartitsu” Course

But the relaunch does not end with the workshop.  Tony will be ably assisted by Forteza instructors Nathan Wisniewksi and Treyson Ptak, who will then be taking the lead with our newly designed Introduction to Bartitsu course. Beginning June 5th, 6-week class is designed to instill basic striking, kicking, cane-fighting, grappling and safety skills. Perfect for those new to martial arts as well as those who are not familiar with the particular art which comprise Bartitsu, this course is high-energy, skills-focused and designed to lay a foundation that students will bring to on-going training in the Bartitsu Club of Chicago. The club meets twice a month for advanced training and “combat integration” – the unique blending of its component arts that makes Bartitsu an unique fighting art in its own right.

A Whole New World of Victorian Martial Arts

But Bartitsu is just one aspect of Forteza’s new Victorian Martial Arts program, which includes a wide-range of antagonistics, the study of fencing, boxing, wrestling and stick-fighting  typically combined with physical culture (calisthenics, gymnastics and weight-training) that was popular in Britain and America in the late 19th century. Forteza’s Antagonistics courses include:

  • Sabre and Bayonet Fencing;
  • Stick Fighting;
  • Bowie Knife and Tomahawk combat (most distinctly American weapons);
  • Physical Culture; a truly “old school” workout regimen of calisthenics, Indian clubs, and more!

As we have done previously with our wildly popular Bowie and ‘hawk seminars, Antagonistics will be taught in a series of workshops and short courses, allowing students with limited time and busy schedules to get chance to sample the breadth of 19th century martial culture.

How Can YOU Get Involved?

Whether you’ve trained us before or are brand new to any martial arts, there are many ways to jump in to the relaunch of our Victorian Martial Arts program, and the sooner you get involved, the more affordable it is!

Bartitsu Seminar Date, Sunday May 25th from 12-5pm
$60, $75 at the door

Introduction to Bartitsu Course, Starts on Thursday June 5th from 7-9pm:
Length – 6 weeks
Cost – $125, discounted to $100 for seminar attendees!

Pre-register for both the seminar and introduction for $150, a $50 savings!

Continuing Classes: Bartitsu Club of Chicago Starts on Friday July 11th from 7-8pm:

Classes are on the second and fourth Friday of each month

Cost: $50/month and includes on-going access to the Introduction class, providing 10 hours of training a month!
Antagonistics Courses
One day workshops and short courses are held throughout the year and registered for separately.
As you can see, if you are called to by the rough-and-tumble and gentleman duelist side of the Victorian-era calls to you, there are multiple ways to get involved and start training today!
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The Founders’ Ball, a Retrospective

Rolling out the red carpet...

Rolling out the red carpet…

The music has gone quiet, the lights have dimmed, and the Founders’ Ball is over. As Edwardian-martial arts researcher, gymuseum curator, and bartitsu instructor Tony Wolf explained to Saturday night’s attendees, Forteza was inspired as a fusion of two, bygone institutions: the antiquarian arms and armour society of the Kernoozer’s Club and perhaps the first fitness-martial arts gymnasium, the Bartitsu Club, which between them had also led the first attempts to reconstruct the forgotten martial arts of Renaissance Europe. So, for one night a window to another time opened, and the studio filled with finely-dressed ladies, escorted by gentlemen of quality (although it is said a rapscallion or two were spotted, as well!) as we celebrated our one year anniversary.

The ribbon cutting for the Capt. Alfred Hutton Lounge

The ribbon cutting for the Capt. Alfred Hutton Lounge

The Founders’ Ball was the celebration and culmination of many different dreams, efforts, occasional misadventures and hard work. It is also our hope that it was the inauguration of a new era at the studio and many new adventures to come. At the center of the event was the opening of the “Captain Alfred Hutton Lounge”. Hutton (1839 – 1910) was a military man, amateur historian, author and renowned swordsman who helped pioneer the “rebirth” of “ancient swordplay” both in the fencing salle and on the stage, and so is a man without whom Forteza would never have been born. Our hope is that the Hutton Lounge will become a fitting tribute to Hutton and his fellow Kernoozers – a place where fellowship, scholarship and good humor will bring to together the many sub-communities of the Forteza family. (If you don’t know about Hutton and his history, you really owe it to yourself to read his Wikipedia entry. )

The Lounge is not quite done – a new ceiling is in the offing and there are more appointments and furniture to come – but we think that those who were at the ribbon-cutting this weekend got a feel for what it will be in its full flower.

A well-dressed lady mingles with a riverboat gambler and his sultry, carnival doxy...

A well-dressed lady mingles with a riverboat gambler and his sultry, carnival doxy…

Although we woke up exhausted Sunday morning, it was clear that the Ball was an unqualified success. Many, many times over the evening, we were told “you guys throw a great party”, and while that is appreciated, it must be clear that the “we” was far more than Keith and Greg, who in the end just OK’d ideas and cut checks. The heart and mind of the Founders Ball (aka as “the Hand”) was Dawn Marcotte, who brought her immense organization skills, energy, cleverness and ability to be simultaneously classy and quirky to create a wonderful event that helped match our Donald Trump ambitions to our Donald Duck budget. Dawn put together an amazing team of ladies, including Rebecca Smith-Cruz, Erin Fitzgerald and Heather Hilchey, who lent their talents to create beautiful invitations, table decorations, gnome hats (you had to be there) and other little attentions to detail that exceeded all of our expectations. As the day drew near, Dawn was also ably assisted by the “Hand of the Hand”, Patricia Murman, who helped coordinate logistics, organize staff and make sure that the construction was done and the space ready to go as the ball drew near. This team of ladies proved that Forteza is blessed with a crew of train hard, fight hard women, but creative, stylish and “get things done” ones as well!

The Mistress of the Ball, sporting her badge as "Hand of the Dean".

The Mistress of the Ball, sporting her badge as “Hand of the Dean”.

Our construction foreman and “man-of-a-thousand-tasks” Treyson Ptak once again spent a little life-blood and a good chunk of his soul getting the lounge floored, painted and ready to go, assisted by Jesse Kulla. Husband-of-the-Hand Jacques Marcotte and Jonathon Cruz served the all-important task of bartenders and “ministers of merriment”, and kept spirits high, just in time for the evening’s entertainment. We had promised “an exhibition of swordplay”, and no doubt, considering what we do at Forteza, folks were anticipating yet another martial arts demo. But since the studio is blessed with a cadre of actors, fight directors and stunt folks, we thought it might be more fun to honor Capt. Hutton with a little theatre, in this case a small vignette called “The Cliffs of Insanity, Or: The Princess Bride, Reduced to One Really Good Scene with Lots of Action, and None of that Kissing Stuff.” Libby Beyreis stepped in to direct and Trey Ptak (Man in Black), Victor Bayona (Inigo Montoya), Joe Rutugliano (Vizzini), John O’Meara (the Grandfather) and Dave Carlin (the Kid) took on their roles with great gusto, and some delightful improvisational flourishes that delighted our guests.

Don't know who that man in black was? Get used to disappointment!

Don’t know who that man in black was? Get used to disappointment!

It was a magical night, and it was a shame to see it end – though had it lasted much longer, the crew would probably have fallen asleep standing up. But it was all of you who have come to class, turned up to train, run races, attended seminars, or just talked about Forteza on Facebook and with friends who made it possible. Truth be told, you can only plan so far how to launch a venture like this and build it into a sustainable dream – it’s working because of the passion, trust and enthusiasm you bring every time you step through the studio’s door. It has been our honor to build this home with your help.

Forteza Mascot Baby Rose does her best gnome impression. Rosie pronounced the ball a great success!

Forteza Mascot Baby Rose does her best gnome impression. Rosie pronounced the ball a great success!

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Bartitsu sparring at Forteza

[youtube http://www.youtube.com/watch?v=Gf7BaLR_L1g&w=480&h=360]

Bartitsuka Michael Mauch, Nathan Wisniewski and Tony Wolf, all of whom will be travelling to the UK in September to take part in the 2013 Bartitsu School of Arms event, demonstrate a variety of sparring drills including strike-only, thrust-only and freestyle formats.

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Antagonisticathlon! (Or, “Saving Dr. Watson: A Gentleman’s Encounter with Dastardly Evil-Doers”)

[youtube http://www.youtube.com/watch?v=5s0bv6EoPVc]

On Sunday, March 11th of 2012, members of the Bartitsu Club of Chicago took part in the first ever “antagonisticathlon” event at Forteza. This was their graduation from the recent six-week introductory Bartitsu training course.

Obviously, with a diverse group of students, some with extensive martial arts training, some with none what-so-ever, there is a limit to what a “graduation exam” might entail after a mere twelve classes. Likewise, the Bartitsu revival has been decidedly non-hierarchical, emphasizing the continuation of Barton-Wright’s work over creating ranking systems and standardized curriculum. What to do?

Enter the Antagonisticathlon.

The what???

During the late 19th century, the word “antagonistics” meant all manner of combat sports and self-defence skills. Inspired by this, Bartitsu instructor Tony Wolf came up with an interesting way to test the novice Bartitsuka (students) while having a good deal of tongue-in-cheek fun at the same time!

Antagonisticathlon participants represent Victorian-era adventurers fighting their way through a gauntlet of obstacles and ne’er-do-wells, inspired by Sherlock Holmes’ escape from Professor Moriarty’s assassins in The Final Problem:

The dapper Michael Mauch, right, does not hestiate to sully his waist-coat as he hurls a ruffian to the ground during the Anatagonisticathlon. ((c)2012 Andrew A. Nelles/ For The Chicago Tribune)

The “stations” of the antagonisticathlon (not all shown in the video compilation) included:

  • Charging shoulder tackle to punching bag (“knocking an assassin out the window and into the Thames”)
  • Precision cane thrusts through suspended rings
  • Overcoat and cane vs. dagger-wielding assassin
  • Weight-lifting on antique pulley-weight apparatus
  • “Death Alley”; cane vs. three stick-wielding assassins
  • “Rowing across the Thames” on antique rowing machine
  • “Rescuing Dr. Watson”
  • Walking Cane vs. stick combat
  • Shoulder roll and hat toss to finish

Dressed in either traditional Edwardian work-out clothing (a fitted, sleeveless shirt and loose-fitting pants, such a yoga or gi pants), or in their Victorian best, the students readily got into the spirit of this martial obstacle course; testing themselves and their fledgling skills in Bartitsu, but first and foremost celebrating the esprit de corps of helping to make Barton-Wright’s “noble experiment” born anew.

“I say, Old Bean, perhaps this is more what you were envisioning?” ((c)2012 Andrew A. Nelles/ For The Chicago Tribune)

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Announcing the Bartitsu Club of Chicago – a key part of the Forteza Family!

Bartitsu Club of Chicago logo

Located in Chicago’s Ravenswood neighborhood, the Bartitsu Club of Chicago offers regular, progressive training in the “lost martial art of Sherlock Holmes”.

History

At the end of the Victorian era, E. W. Barton-Wright combined jiujitsu, kickboxing and stick fighting into the “New Art of Self Defence” known as Bartitsu. Promoted via exhibitions, magazine articles and challenge contests, Barton-Wright’s New Art was offered as a means by which ladies and gentlemen could beat street hooligans and ruffians at their own game.

Thus, the Bartitsu School of Arms and Physical Culture in London became the headquarters of a radical experiment in martial arts and fitness cross-training. It was also a place to see and be seen; famous actors and actresses, soldiers, athletes and aristocrats eagerly enrolled to learn the secrets of Bartitsu.

In early 1902, for reasons that remain a historical mystery, the London Bartitsu Club closed down. Barton-Wright’s art was almost forgotten thereafter, except for a single, cryptic reference in Sir Arthur Conan Doyle’s The Adventure of the Empty House, wherein it was revealed as the method by which Sherlock Holmes had defeated Professor Moriarty in their fatal battle at Reichenbach Falls.

Our premise and approach

Bartitsu was abandoned as a work-in-progress one hundred and ten years ago, but what if Barton-Wright’s School of Arms had continued to thrive? In collaboration with other Bartitsu clubs and study groups throughout the world, the Bartitsu Club of Chicago is proud to pick up where he left off, reviving and continuing the experiment into the new millennium.

E.W. Barton-Wright recorded the basics of his “New Art” via lectures, interviews and detailed articles, which form the nucleus of “canonical Bartitsu”. These methods are practiced as a form of living history preservation and also as a common technical and tactical “language” among modern practitioners.

“Neo-Bartitsu” complements and augments the canon towards an evolving, creative revival as a system of recreational martial arts cross-training with a 19th century “twist”.

Our venue

Forteza Fitness, Physical Culture and Martial Arts (4437 North Ravenswood Ave., Chicago, IL 60640) is the ideal venue for reviving Bartitsu. Directly inspired by Barton-Wright’s School of Arms, Forteza features a unique late-19th century theme; brick walls and a high timber ceiling enclosing 5000 square feet of training space, including a “gymuseum” of functional antique exercise apparatus.

Our classes

Bartitsu classes at Forteza run from 6.30-8.00 pm on Tuesday and Thursday evenings. The price for the six-week introductory course (two classes per week) is $125.00.

A typical class includes calisthenic warm-ups, specialized movement drills, study of the canonical sequences and neo-Bartitsu “combat improvisation” training. Participants should wear comfortable exercise clothing and bring a change of shoes for the class.

Contact info@fortezafitness.com to book your place in the first ongoing Bartitsu course in Chicago.

Our instructor

New Zealand citizen and Chicago resident Tony Wolf is one of the founders of the international Bartitsu Society. A highly experienced martial arts instructor, he has taught Bartitsu intensives in England, Ireland, Italy, Australia, Canada and throughout the USA. Tony also edited the two volumes of the Bartitsu Compendium (2005 and 2008) and co-produced/directed the feature documentary Bartitsu: The Lost Martial Art of Sherlock Holmes (2010).

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